Design Services

Brochure design supplied print-ready, with the bleed correct

Print is unforgiving. There is no publishing a correction after the fact, so the specification is agreed before the first page is laid out.

What is brochure design?

Brochure Design is the layout and print production of documents such as brochures, capability statements, catalogues, reports and flyers, supplied as artwork built to a printer's specification. It suits Australian businesses that need collateral for tenders, trade shows, sales meetings and mail, plus a digital version that works properly on a website.

Get a fixed written quote
Typical timeline
2 to 5 weeks
What drives cost
Page count, how much of the content needs restructuring rather than flowing in, whether photography or illustration must be created.
Best for
Tender attachments, sales collateral, catalogues and annual reports
You own
Packaged InDesign files with links, plus print and digital outputs
Built with
InDesign, CMYK artwork, PDF/X output, tagged accessible digital versions
Where it goesOne layout filePrint ready PDF with bleedLight web PDF for the siteTagged accessible versionLarge format trade show panelsSlide and email extracts
The print file is not the web file: one carries crop marks, the other carries links.

Your handover

The print specification we confirm before laying out a page

Every print job has a specification and it comes from the printer, not from a default. We confirm the trim size, the bleed allowance, which is commonly three millimetres in Australia, and a safety margin that keeps text away from the trim edge, because guillotines have a tolerance and a page number sitting two millimetres from the edge will be cut off on part of the run. We confirm the colour mode, whether spot colours are involved, the total ink coverage limit for the stock, and which PDF standard the printer wants files supplied in.

  1. 01Confirmed print specification agreed with your supplier
  2. 02Grid and typographic system for the document
  3. 03Sample spread approved before full layout
  4. 04Complete print-ready artwork with correct bleed and marks
  5. 05Preflight report and supply to the printer
  6. 06Proof review before the run
  • Separate optimised digital version with live links
  • Tagged accessible PDF where the document is public
  • Packaged source files with fonts and linked images
Getting these wrong is not a design flaw

Then the details that depend on the binding. A saddle stitched booklet needs a page count divisible by four, and it needs creep compensation so the inner pages, which push outward as the fold thickens, do not end up with narrower margins after trimming. A perfect bound document needs a spine width calculated from the paper thickness and page count, so the spine artwork actually lands on the spine. Anything that folds needs panel widths adjusted, because on a roll fold the inner panel must be slightly narrower or it will not tuck. Getting these wrong is not a design flaw. It is a reprint.

  • Trim size, bleed and safety margin confirmed with the printer
  • CMYK working space with any spot colours identified as separations
  • Images placed at adequate resolution for their final printed size
  • Total ink coverage kept within the stock's limit
  • Page count and creep resolved for saddle stitch, spine width for perfect binding
  • Fonts embedded or outlined and files supplied in the PDF standard requested

Anything that folds needs panel widths adjusted, because on a roll fold the inner panel must be slightly narrower or it will not tuck.

The capability statement is its own genre

In Australia a capability statement is essentially a procurement document, and it is judged by someone assessing many of them against a checklist. It is not a brochure with your values on the cover. It needs the practical evidence a buyer must confirm before they can consider you: your ABN and entity details, insurances with cover amounts and expiry, relevant licences and registrations, accreditations, the specific services you deliver and the geographic area you cover, key personnel with their tickets and qualifications, and referees who have agreed in advance to be contacted.

More on the capability statement is its own genre

Because it is a checklist document, structure beats art direction. We build it so an assessor can find each item in seconds, with a consistent hierarchy, tables that survive a mono print, and a version that can be updated by your team when an insurance certificate renews. Businesses bidding into construction and into government panels usually need several variants for different categories of work, so we build it as a system with a shared core and swappable sections rather than as one fixed document.

How the engagement runs

How a brochure project runs

The single biggest cause of a late print job is copy that is not final. Layout built around draft text has to be rebalanced every time a paragraph grows, and a piece that was two pages becomes three the week before it is due. So we ask for copy that has been through its approvals before layout begins, and where it is not ready we lay out with a strict word count per section and hold the client to it.

  1. 01Stage 1Confirm purpose, audience, distribution method and quantity
  2. 02Stage 2Get the printer's specification in writing, including stock and finishing
  3. 03Stage 3Agree the page count and a word count per section with the copy owner
  4. 04Stage 4Assess supplied images for resolution and colour, and flag what needs replacing
  5. 05Stage 5Design the grid and typographic system, then lay out a sample spread for approval
  6. 06Stage 6Complete the layout, with two consolidated rounds of amendments
  7. 07Stage 7Preflight, supply print-ready files and check the printer's proof
  8. 08Stage 8Produce the separate digital version, tagged and optimised for the web
DiscoverDesignBuildTestHandover
Two decisions on your side that keep the project moving

Image quality is the second. A logo pulled from a website is 72 pixels per inch and will look soft in print. Photography taken on a phone in a dim warehouse cannot be rescued. We assess the image library early and tell you honestly what will not hold up, so there is time to arrange a shoot or select alternatives rather than discovering it at proof stage.

Choose the right level

Which format suits which job

Format is a distribution decision before it is a design one. Something handed out at a trade show has to fit in a bag and survive the day. Something posted needs to suit an envelope size and a postage band. Something attached to a tender is going to be printed by the recipient on their own office printer, which means edge to edge colour is a poor idea and legibility in black and white matters.

Format

01

DL flyer

Suits

Mail outs, counter displays, event handouts

Watch for

Very little room, so it must carry one message and a clear next step

02

A4 capability statement

Suits

Tender attachments and procurement panels

Watch for

Often reprinted in mono by the recipient, so design for that

03

A5 or A4 booklet

Suits

Service overviews, prospectuses, member information

Watch for

Page count must divide by four for saddle stitch

04

Gatefold or roll fold

Suits

Sequenced storytelling and product ranges

Watch for

Panel widths differ, so the fold has to be planned into the layout

05

Catalogue

Suits

Product ranges with pricing and specification tables

Watch for

Data volume, so a table style system matters more than the cover

06

Annual report

Suits

Boards, members, funders and regulators

Watch for

Financial tables and long approval chains drive the schedule

How we work this out during scoping

We choose the format from where the piece ends up, not from what looks impressive. The comparison below covers the formats Australian businesses ask for most often. Where a document will exist in both print and digital, we plan the two together, since a layout designed as facing pages reads badly as a scrolled PDF and a layout designed for screen usually wastes paper.

The digital version is not just the print file

Uploading the print PDF to your website is a common and avoidable mistake. It carries crop marks and bleed, it is often enormous, the pages are set as spreads that do not read on a phone, and nothing in it is linked. A digital version is a separate export with its own decisions: RGB where colour vibrancy matters, images downsampled to a sensible resolution, single pages rather than spreads, live hyperlinks on email addresses and web references, and a file size that downloads on a mobile connection.

More on the digital version is not just the print file

It should also be accessible if it is a public document, and this is the part almost everyone skips. That means the PDF is tagged so a screen reader gets a logical reading order, images carry alternative text, tables have their headers identified, the document language is set and the title appears in the properties. Organisations that publish under accessibility obligations, or that sell to buyers with them, need this rather than a scanned image of a printed page. If the content genuinely needs to be found in search, the better answer is often a page on your site rather than a PDF at all, which is a content decision worth making early.

When print is the wrong choice

If nobody has a plan for how the printed piece reaches a human being, do not print it. Boxes of unopened brochures in a storeroom are one of the most common wastes in marketing, and they usually result from a piece being commissioned because it felt like the done thing rather than because a specific distribution existed. If you cannot name the event, the mail out or the sales conversation it serves, the money is better spent elsewhere.

Print is also wrong when the content changes often

Print is also wrong when the content changes often. A product catalogue with pricing that moves quarterly should be a page on your website, not a booklet, and the version people keep on their desk will always be out of date. In that situation the sensible answer is a well structured section of your site with a printable summary, which is website design work. Where the piece needs to persuade in a live meeting rather than be read alone, a deck is usually the better vehicle, which is presentation design.

How we scope it

Four ways to scope your Brochure Design project

We do not publish package prices, because the same brief can be a short build or a long one. These are the shapes the work usually takes. Tell us which one sounds like you and you will get a fixed written quote that spells out exactly what it covers.

Brochure Core

The essentials, done properly, not a template

Fixed written quote, agreed before work starts

  • Confirmed print specification agreed with your supplier
  • Grid and typographic system for the document
  • Sample spread approved before full layout
Request a quote
Most common

Brochure Full identity

A complete identity your team can apply without us

Fixed written quote, agreed before work starts

  • Everything in Brochure Core
  • Complete print-ready artwork with correct bleed and marks
  • Preflight report and supply to the printer
  • Proof review before the run
Request a quote

Brochure Brand system

A system that holds up across products and campaigns

Fixed written quote, agreed before work starts

  • Everything in Brochure Full identity
  • Separate optimised digital version with live links
  • Tagged accessible PDF where the document is public
  • Packaged source files with fonts and linked images
Request a quote

Brochure Brand care

Applying and extending it as the business grows

Rolling monthly, quoted in writing

  • New assets and applications as they come up
  • The system extended rather than reinvented
  • Files and source artwork kept in order and in your name
  • Rolling, cancel with 30 days notice
Request a quote

These are shapes, not menus. Most quotes end up somewhere between two of them, and we will say so when the honest answer is the smallest one. Describe the problem and we will tell you which it is.

Questions buyers usually ask

Frequently asked questions

Ownership and handover

Do we get the working files so we can update it ourselves?

Yes. We supply packaged source files with linked images and font details. Whether your team can practically edit them depends on whether you have the software and someone comfortable with it. For documents that change often, we can instead build a template with locked layout and editable text fields, which is usually the more realistic answer.

Can you make the PDF accessible for our website?

Yes, and we recommend it for anything public facing. We tag the reading order, add alternative text to images, mark up table headers, set the document language and title, and check it with a validator. It is a real piece of work rather than a checkbox, so we scope it separately. For content that many people need to read, a web page is still the better home.

Detail and edge cases

How long does brochure design take?

Between 2 and 5 weeks for most documents once copy is final. A DL flyer is a matter of days. A twenty four page booklet or a catalogue with product tables takes longer, and an annual report is driven by its approval chain rather than by design time. We build the schedule backwards from your print deadline, including a buffer for the proof.

What affects the cost of a brochure or capability statement?

Page count, how much of the content needs restructuring rather than flowing in, whether photography or illustration must be created, the number of variants, and how many approval rounds are realistic given who has to sign off. Printing itself is a separate cost paid to your printer. We quote the design and artwork in writing after seeing the content.

Do you arrange the printing?

We work with your printer and supply to their specification, review the proof and resolve anything they raise. We recommend you hold the print account directly, so the pricing is transparent and you can move suppliers freely. If you do not have a printer, we will help you brief two or three and compare what they quote on the same specification.

How many rounds of changes are included?

Two consolidated rounds is the standard we scope to, gathered by one person on your side rather than arriving from several people separately. That is not meanness, it is what keeps a print deadline achievable. Where a document has a genuine approval chain, such as a board or a legal reviewer, we build the extra rounds into the scope and the schedule up front.

Get a fixed written quote for your print collateral

Tell us the format, the page count and your print deadline. We reply within one business day with a schedule and a fixed written quote.